Director of ‘The Voice of Hind Rajab’ declines ‘Most Valuable Film’ award

Tunisian filmmaker Kaouther Ben Hania chooses not to claim prize at ‘Cinema for Peace’ gathering in Berlin

Six-year-old Palestinian girl Hind Rajab was killed along with five relatives and two medics sent to rescue her during an Israeli tank attack in Gaza City on January 29, 2024. (Photo: family photo)

Berk Kutay Gokmen

The director of The Voice of Hind Rajab declined to accept an award at a Berlin event this week after an Israeli general was recognized at the same gathering.

Tunisian filmmaker Kaouther Ben Hania chose not to receive the “Most Valuable Film” award at the “Cinema for Peace” gathering Monday which took place alongside the festival and left the trophy behind.

In her remarks, she said she felt a sense of responsibility rather than gratitude, using the moment to make a statement about justice and accountability for Hind Rajab, a five-year-old Palestinian girl who was killed by Israeli soldiers in Gaza in 2024, while rescuers attempting to reach her were also fired upon.

“Justice means accountability. Without accountability, there is no peace.

“The Israeli army killed Hind Rajab; killed her family; killed the two paramedics who came to save her, with the complicity of the world’s most powerful governments and institutions.

“I refuse to let their deaths become a backdrop for a polite speech about peace. Not while the structures that enabled them remain untouched,” she said.

“So tonight, I will not take this award home. I leave it here as a reminder. And when peace is pursued as a legal and moral obligation, rooted in accountability for genocide, then I will come back and accept it with joy.”

Ben Hania added that Hind’s death was “not an exception, it’s part of a genocide,” criticizing political figures who describe large-scale civilian killings as “self-defense” or “complex circumstances” while undermining demonstrators.

“Peace requires justice and accountability, not glossy slogans,” she said.

The Voice of Hind Rajab is based on the true story of Hind Rajab, who was trapped in her family car on Jan. 29, 2024 after it came under Israeli army fire in Gaza City and was found dead after nearly two weeks of uncertainty.

Hind was traveling with her family, including her 15-year-old cousin Layan Hamadeh, fleeing fighting in northern Gaza when they came under Israeli fire, according to the Palestine Red Crescent.

The film centers on the audio recording of Hind’s final phone call to the Palestinian Red Crescent Society, in which she pleaded for help.

The incident drew global criticism after reports emerged that Israel had initially sought to deny her death, along with claims that the killing was unjust.

https://www.aa.com.tr/en/world/director-of-the-voice-of-hind-rajab-declines-most-valuable-film-award/3834205

++++++++++

6-Year-Old Gaza Girl Hind Rajab Found Dead with Massacred Family, Rescue Workers

Why is Germany supporting Israel’s genocide in Gaza?

The Arsenal of Genocide: the U.S. Weapons That Are Destroying Gaza

Documentary Details How Netanyahu Funded and Boosted Hamas

Patrick Lawrence: The End of Global Leadership

The World Must Force Peace on Israel

The Battle for the Soul of Judaism: Tribalism, Amalek and Axial Age Universalism of Isaiah

The Agony of Palestine

Bad Memory

Decades of U.S. war crimes led to what Israel is doing in Gaza

Settler colonialism

We’re anti-Zionist Jews and we see genocide unfolding in Gaza

Natalia Ginzburg: Our Monstrous Ideas

Biblical Archaeology and the Judeo-Christian legends / The Deconstruction of the Walls of Jericho

Zionism Breaks

Hundreds of prominent Jews and Israelis urge world powers to hold Israel accountable ‘for Gaza atrocities’

The new barbarians

Gaza and the Death of Conscience

Pankaj Mishra: The Shoah after Gaza

Israel’s War in Gaza Is Nothing but a War of Annihilation

Arab Failures: The Unspoken Complicity in Israel’s Genocide

Bulldozing Gaza

Chris Hedges: The Gaza Riviera

Gaza and the End of Western Fantasy

Gaza: Doctors Under Attack review – this crucial film is the stuff of nightmares. But the world needs to see it