‘More postmodern than ancient’: why the Odyssey is everywhere, from Oz to Westeros

Imagine then, for a moment, not the darkness of the cinema so much as the darkness of the king and queen’s pillared hall, where guests are gathered for feasting and for telling stories. Against the flickering fire, the bard strikes up with his harp and starts to sing, performing tales of adventure and loss, return… Read More ‘More postmodern than ancient’: why the Odyssey is everywhere, from Oz to Westeros

Gajanan Madhav Muktibodh: Put fire back into firewood / The Ultimate expression: Muktibodh’s poem, “Andhere Mein”

Apoorvanand “ Why did Muktibodh  became uniquely significant in the summer of 1964? Why did …almost all the weeklies, monthlies and dailies started introducing him to their readers?” Fifty years ago, Shamsher Bahadur Singh, asked this question in the preface to Chand Ka Munh Tedha hai, the first anthology of poems of Muktibodh being compiled. Muktibodh then,… Read More Gajanan Madhav Muktibodh: Put fire back into firewood / The Ultimate expression: Muktibodh’s poem, “Andhere Mein”

Wake up

Wake up: Song by Arcade Fire – 2004 Somethin’ filled upMy heart with nothin’Someone told me not to cry Now that I’m olderMy heart’s colderAnd I can see that it’s a lie Children, wake upHold your mistake upBefore they turn the summer into dust If the children don’t grow upOur bodies get bigger but our… Read More Wake up

Bertold Brecht: To Posterity (1938) / Pablo Neruda: Nuevo Canto de Amor a Stalingrado (1942) / Victory: Ilya Ehrenburg, 9 May 1945

Bertold Brecht (1898-1956) I came into the cities in a time of disorderAs hunger reigned.I came among men in a time of turmoilAnd I rose up with them.And so passedThe time given to me on earth. I ate my food between slaughters.I lay down to sleep among murderers.I tended to love with abandon.I looked upon… Read More Bertold Brecht: To Posterity (1938) / Pablo Neruda: Nuevo Canto de Amor a Stalingrado (1942) / Victory: Ilya Ehrenburg, 9 May 1945

Literary Celebrity, Mussolini’s Mouthpiece, and American Traitor: Who Was Ezra Pound?

Stephen Harding on the Modernist Poet and His Fascist Politics By the spring of 1939, the widely acknowledged dean of Anglo-American Modernist poetry, fifty-three-year-old Ezra Pound, had lived in Europe for three decades. After leaving the United States in 1908 at the age of twenty- three, the poet had initially settled in London, then moved… Read More Literary Celebrity, Mussolini’s Mouthpiece, and American Traitor: Who Was Ezra Pound?