‘More postmodern than ancient’: why the Odyssey is everywhere, from Oz to Westeros
Imagine then, for a moment, not the darkness of the cinema so much as the darkness of the king and queen’s pillared hall, where guests are gathered for feasting and for telling stories. Against the flickering fire, the bard strikes up with his harp and starts to sing, performing tales of adventure and loss, return… Read More ‘More postmodern than ancient’: why the Odyssey is everywhere, from Oz to Westeros
