War in the Middle East has morphed from the sterile narrative of fighting for freedom and democracy, to the more spectacular notion that US military force has been mobilized to serve Christian prophecy
Forget about Ancient Sparta, Attila the Hun, Hernán Cortés, Julius Ceasar, Alexander the Great, Adolf Hitler, and all of the conquerors that terrified the world with colonial aspirations and a psychopathic lust for blood. None of these ever imagined a $1.5 trillion military budget. President Donald Trump requested that grotesque figure, but don’t give him the kudos—our “fois gras” military machine is a US tradition that predates us all.
The US war machine has scaled Orwellian heights to achieve a virtual blank check to spend on death. For we, stateside, have built a culture entirely at the service of warfare, with myths, stories, and platitudes hardwired into the brains of 349 million people extolling war, not as a necessity, but as ritual, as cleansing, as meditation, and as redemption. We are bombing schools and hospitals to secure the rapture, for the war industry in the apocalyptic end times has been tasked with the creation of biblical events. A recent Huffpost piece by Brandi Buchman quotes US soldiers’ allegations of lunatic fringe Evangelical propaganda from haranguing superiors:
Thus, war in the Middle East has morphed from the sterile narrative of fighting for freedom and democracy, to the more spectacular notion that US military force has been mobilized to serve Christian prophecy. A military budget cannot achieve the pinnacle of a trillion dollars without a highly evolved story telling industry to prime the population to either enthusiastically back each aggressive nationalistic paroxysm of violence, or to (at the very least) passively capitulate. Think of the advent of apocalyptic biblical warfare as a means of addictive escalation—the nation has gone from coffee and cigarettes to cocaine and crystal meth.
No other era has been forced to see war with the unflinching clarity that this moment demands.
The war propaganda machine in the US is a ceaseless, multifaceted contraption that includes legacy media, the educational system, and the entertainment industry. A nation does not eviscerate tens of millions of “enemy” civilians without first laying a meticulous foundation of brainwashing. I can run the tapes backward to a moment in my own childhood, riveted to the black and white TV absorbing the 1955 Disneyfied tale of Davey Crockett at “The Alamo.” There is Davey outsmarting a gambler, beating up an “Indian,” and bringing both along as conscripts to fight for an Independent Texas. Crockett met his end at the Alamo, but the manner of his death will never be resolved. Did he surrender to Mexican forces (and face execution) or did he die fighting to the death, wielding his exhausted rifle like a club, and falling from a bullet while standing on a hill comprised of Mexican corpses? Of course, the Disney version has Davey Crockett swinging his rifle madly against a vast onslaught of faceless Mexican soldiers as the background song plays out…
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The Adoration of Force (this one is inspired by Simone Weil)
Natalia Ginzburg: Our Monstrous Ideas
Gaza and the Death of Conscience
Pankaj Mishra: The Shoah after Gaza
Israel’s War in Gaza Is Nothing but a War of Annihilation
Arab Failures: The Unspoken Complicity in Israel’s Genocide
After the truth-shower 